Tuesday, May 13, 2014
Interdisciplinary Design Symposium, May 17 - 18, 2014, Doha…
Thursday, April 24, 2014
Small Bizarres No. 83 - Conference Cat, Istanbul...
Sunday, February 9, 2014
Architects Independent Website is Live...
Monday, May 21, 2012
Small Bizarres No. 41 - Corby as Maurizio...
Thursday, February 10, 2011
MFA.DESIGN. Open Day at VCUQ...


Sunday, November 1, 2009
Presentation at the Dar al-Athar al-Islamiyyah...

If you happen to be in the neighborhood why not aim to joins us at the al-Maidan Cultural Center for some spirited discussions and canapes...
Monday, September 28, 2009
Musings made whilst Flâneuring Along Salem Al-Mubarak Street
The included short 'animation' consists of some musings made during a walk down Salem Al-Mubarak Street in Salmiya, Kuwait. The film, made out of over 400 individual images assembled in Power-point, had to unfortunately be filmed off my computer screen as the software I was planning to use refused to convert any shots lasting less than a second into a MPEG, AVI or Quick-time format, resulting in the video that should last about 3 minutes taking well over 20 minutes (as it converted the fraction of a second shots into full seconds). Nevertheless, it is clear enough to catch the intended gist of the video, and, if I manage to figure out how to convert the movie directly (any suggestions would be much appreciated) I'll replace the current one.
A few years back we used to live in Salmiya, a stones throw from the Sha'ab Amusement Park, and I used to walk down this street almost daily, on my way to the selection of coffee-shops clustered around the Sultan Center. The Salem Al-Mubarak Street is amongst the only sections of the city that has the the history and, in regards to future development, the 'bones' to be developed into a proper external pedestrianized area. This factor has also been noted by others in Kuwait, such as fellow bloggers re:Kuwait, who included a recent post on the subject matter and area (click here for a link to their submission). Unfortunately the street seems currently to be under threat, as substantial sections of the on average three and four floor buildings flanking its sides are either abandoned or in the process of being demolished. This is a true pity, and, again, a considerable lost opportunity (a term that seems to crop up regrettably often on this blog) as what this street and area has will be very difficult to duplicate or rejuvenate if the current 'developments' are allowed to proceed much further. What it needs is a total strategic overhaul that provides the street and district with an update whilst retaining its unique qualities – its casualness, non-mallness, spontaneity, walkability – its outdoorness...
This last point became particularly pertinent recently when we were invited to present at the Dar Al-Athar al-Islamyyia, scheduled to take place on November 11th (more details about this at a later date) as this occasion could be the perfect opportunity to tie together and develop a coherent proposal from the various, still somewhat discordant, ideas we've developed for this area over the last few years for how this street could be designed and modified to accommodate the desires of the above musings. What this will entails exactly remains still to be seen, but the intention is to present a, still at this stage schematic, proposal for how the Salem Al-Mubarak Street could be rethought. The included video forms a part of this process.
Monday, June 1, 2009
Summer Fun - small(sm)Architecture Exhibiting in Athens and Florence...



More about these, and perhaps a few other, events in future blog submissions...
Wednesday, April 22, 2009
Presentation by Artist Alia Farid...
Alia Farid's adaptable monument - movable and customized to respond and reflect the interest of a particular community in Boston (Photo provided by Alia Farid)... A short synopsis, in her own words, of her interests and approach to practising her art(s).
“I began my experimental practice as an artist/curator somewhere in between the lines of art, architecture, and the public realm. Today I’m still interested in exploring these areas, but with a much more focused point in telling how informal networks are forced to compensate for lack of formal structure, as one of the things I value most is the subversive quality of work that goes unnoticed.” She identifies her role as a curator with that of a mitigation planner by acknowledging, “There’s a duality in dealing with art – a disconnect between who we are and what we see that can either mean death to the work or a strike in change. My job is to mitigate, or make up, for this disconnect”. The risk factor involved in re-presenting art is a challenge Alia readily enjoys, however instead of handling the work with gloves, she’s more likely to want to figure out ways in which the audience can engage with the art directly.
An additional view of her mobile and adaptable monument/ sales & service stand (Photo provided by Alia Farid)...





